ASH広島の25周年記念書籍の続報！中元すず香・戸高美湖さんのインタビューも掲載

If Amuse is stupid enough to salt Miko in Koba’s dungeon, then they are not going to get the best new talent from ASH – not now, that roads to Korea have been opened, first by Ayana Kuwahara and then, later, by Aiko Sumida. No Japanese entertainment company can afford to get complacent any more and that includes Amuse. Seoul is only a plane ticket away from Tokyo.
It’s happened in Japan, too. See what happened to UpFront/Hello Project. Look at the Sayashi and Nakamoto rivalry. Sayashi makes an early breakthrough in 2011-12 but Nakamoto totally eclipses her in 2014 and carries on rising while Sayashi carried on being left behind. Then in 2015 a disillusioned Sayashi leaves Morning Musume. In 2018, Yui leaves BABYMETAL, and Sayashi chooses not to renew her contract with UpFront. Co-incidence?
Imagine UpFront’s shock when they see Sayashi on a BBC Video, in Glastonbury together with BABYMETAL – think Danbara was not watching? See, that’s what happens when you get complacent.